Glycerol this, glycerol that

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July 9, 2010  posted by Louis Nel

Karien’s comments on the hype that was made about glycerol, makes me nostalgic. Everybody was caught in the frenzy to find ways to increase glycerol in wines, and people went to extremes to achieve their goal.

 Glycerol is one of the base chemicals used to make dynamite, and the commercial production of glycerol involves yeast fermentation, where SO2 is added constantly. To protect itself from the SO2, yeast produces glycerol. Winemakers tried to simulate this effect by stressing the yeast during fermentation. Treatments included adding small amount of SO2 constantly during fermentation, adding unfermented juice to wine (osmotic shock) and stressing the yeast by cooling it suddenly. Many winemakers (and some of the best) practised fermentation practices where the must was cooled to 10°C, allowed to rise to 15°, cooled quickly to 10°C, allowed to warm etc, to increase the amount of glycerol in the wine.

 All these techniques probably resulted in an increase in the glycerol concentration, but had no effect on quality resulting from the glycerol.

Louis Nel is the owner and winemaker of Louis wines in South Africa.

The German Paradox

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July 2, 2010  posted by Karien O'Kennedy

Most people have heard about the French paradox so I thought I’d inform you about the lesser known German paradox.  I started travelling to Germany in 2001 as a fermentation consultant to the wine industry and did so on a yearly basis until starting a family put me out of international travel for a while. I tended to visit the same people every time I went and it was fascinating to monitor their progress year after year as they started implementing what I advised. I must admit I was sometimes quite surprised / relieved at the positive effects of my advice myself.  Wines that I thought were beyond hope (some Muller-Thurgaus) were all of a sudden mistaken for a new world Sauvignon blanc! Now whether that is a good thing or not is a topic for another day. The mere fact that it went from unpalatable (in my opinion) to very pleasant indeed is what one should focus on.

In 2001 most of the cellars I visited (take note I am not generalising) fermented their whites at temperatures between 18 – 22°C. This is fine for what I call “forgiving” grapes such as Riesling. Riesling has a lot of varietal character not influenced by yeast and fermentation temperature and therefore top quality white wines can be produced at these fermentation temperatures. However, there were certain other candidates that I won’t mention by name out of fear for my safety and that of my family’s, that quite honestly were not so great. I focussed my advice on these wines, what the winemakers themselves viewed as “neutral” varieties. They were all German varieties that I had no experience in tasting so I had no idea if they were truly “neutral” or not. I decided to investigate by advising colder fermentation and more aromatic yeast strains. These winemakers gradually shifted their fermentation temperatures to between 15 – 17°C and changed to different, more aromatic, yeast strains. Some now even ferment at 13 – 15°C.

And this is exactly where the paradox set in… The wines were much more aromatic. All of a sudden the grape varieties were not so neutral after all. The winemakers loved it, the consumers loved it, their buyers loved it, I liked it, BUT they could not sell it. Why not? Because they could not pass the certification of the wines. They were refused their QBA numbers because the wines “were not typically German.” Some kept on submitting the wines for certification until they struck a “younger” panel that would then pass the wines – only just though. The irony of the situation was that these “new style” German wines would then sell out in three months!

The situation has subsequently become better and I believe it becomes easier every year for winemakers to pass their more modern style (but still identifiable as German) wines, especially in the southern wine producing areas. But it certainly is a very strange and frustrating position to be in – to struggle to get certification for your better quality wine. A paradox indeed.


What do you ferment your Sauvignon blanc with – part 3?

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March 19, 2010  posted by Karien O'Kennedy
Boschendal wine estate, probably one of the most picturesque wine estates in South Africa (and the world for that matter) produces three different Sauvignon blancs. With all three of these wines they try to achieve (and succeed if you ask my opinion) a more international / European style Sauvignon. They achieve this style by simply altering their fermentation conditions. As simple as that.
 
The grapes are picked on taste between 20.5 – 22°Brix. The rule is that all Sauvignon blanc grapes must be in the cellar by 12 noon to avoid the heat of the day. Winemaker, Lizelle Gerber, then adds the Laffort skin contact enzyme after which the grapes go through a mash cooler to cool them down to between 9 – 14°C. Skin contact is for 4 hours and not all grapes get deliberate skin contact. Some of the grapes only have “skin contact” the time it takes to fill the press. After pressing the juice settle for 48 hours at 10 – 12°C with an addition of Laffort settling enzyme. The juice is then racked and fine lees incorporated to achieve a final NTU of 130 on average. This is a big difference compared to the previous two producers mentioned in previous blog entries who aim for a final NTU of 50 – 80. The latter is more suitable for new world style wines and the 130 NTU is more in line with the NTU levels obtained in Europe. The reason for the 130 NTU objective is that it suits the yeast – Laffort VL3 better and it is better for mouthfeel development. According to Lizelle, mouthfeel is their main objective before aroma. In the case of typical new world wine production, aroma is usually the first objective and by decreasing NTU and fermentation temperature it helps one to achieve this objective.
 
After inoculation of the yeast the temperature rises to about 18°C and it is kept on average at about 17°C throughout fermentation. Once again this is a requirement of the yeast and is also different to the practices of the previous two producers who conducted fermentation at much lower temperatures. Boschendal does analyse for YAN before fermentation and do adjustments accordingly during fermentation. They use Lallemand Fermaid K (Laffort probably ran out of stock since they seem to like Laffort) and liquid ammonia – permitted in South Africa. Fermentation lasts between 14 – 18 days. VL3 is used mainly for its mouthfeel and tropical aroma contribution. Boschendal is not interested in emphasizing any pyrazine aromas typically associated with South African and New Zealand Sauvignon blancs.
 
The wines are kept on the gross lees for as long as the lees are healthy. After the blends are made up the wine is kept on the fine lees until stabilisation before bottling. Bottling is done on demand and usually starts in September of the same year.  The single vineyard reserve is kept on the lees longer and bottled much later.
 
The Boschendal Sauvignon blanc is a typical example of how altering your fermentation conditions can influence your wine style. It does not mean that you will all of a sudden produce a Sancerre because you ferment like Sancerre (I’m not sure how winemakers ferment in Sancerre but I suspect it is not with new world wine yeasts at 13°C). The terroir is still completely different. It does however give you a style of wine that is more appealing to the European palate but with a flair of new world freshness.

What do you ferment your Sauvignon blanc with – part 1?

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March 4, 2010  posted by Karien O'Kennedy
The choice of yeast strain used for S. blanc production has a big influence on the final aroma profile and wine quality. So depending on personal style, regional style, country style, styles your consumers prefer, style your grape quality allows you to produce – different winemakers use different yeasts to aid them in achieving this desired style. I decided to ask a few winemakers to share their fermentation secrets with me.
 
Erika Obermeyer, female winemaker of the year 2008 in South Africa and head of the South African Sauvignon blanc Interest Group has been very successful over the past few years with her Graham Beck Sauvignon blanc. Erika gets her grapes from seven different vineyards, all classified as coastal, with influence from the Atlantic Ocean. She starts tasting the grapes at 16°Brix and picks on flavour. Each vineyard delivers a specific aroma profile in the final blend. Harvest starts in the last week in January and continues for four weeks depending on the location of the vineyard. 
 
Erika uses the Laffort skin contact enzyme for 5 hours at 8 – 12°C. She has an additional 7 – 13 hours of skin contact but at very low temperatures where the enzyme is obviously not active anymore. After pressing she settles for three days and achieves a juice clarity of 20 NTU this way. This, off course, is way too clear for fermentation and she therefore includes some of the fine lees when racking the juice. Her final juice clarity for fermentation is usually between 50 – 80 NTU, which is a typical NTU for new world wine fermentations.
 
Now for the juicy part: Erika uses 50% Anchor VIN 7, 40% Laffort VL3 and 10% Anchor Alchemy II for fermentation in different tanks (not co-inoculation). The vineyard the grapes derive from determine the yeast used. She uses Lallemand Fermaid K as a complete yeast nutrient for fermentation.
 
  • VIN 7 is used for its production of gooseberry, passion fruit and grapefruit aromas. Fermentation is conducted between 11 – 14°C at a sugar drop of about 1 – 2°Brix per day.
  • VL3 is used for its production of similar type aromas as well as more of a green fig contribution. It also produces very good mouthfeel and “respects” the pyrazines / green aromas. It is fermented at slightly warmer fermentation temperatures of 13 – 15°C.
  • Alchemy II has a similar profile to VIN 7 but with more esters – thus a “sweeter” profile. Erika uses Alchemy on the vineyard blocks she feels need a little bit of an “ester” boost.
 The wines are kept on their gross lees, which is stirred twice a week. The final blend is kept on the fine lees until stabilisation before bottling. The first release of the wine is in June of the same year. Bottling is done on demand. The rest of the wine remaining in the cellar is kept at about 4 – 7°C.