Red winemaking at Morgenster

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July 15, 2011  posted by Bernard Mocke

Over the years, South African winemaker, Henry Kotzé, has refined his winemaking mantra to one of minimal interference and maximal expression of variety by means of selecting the best terroir possible. Experience speaks for itself and Henry was appointed winemaker at Morgenster in 2009. Previously, Henry’s oenological skills were honed during his stints at Vergelegen, Boschendal, Neil Ellis and Eikendal (all highly acclaimed South African wineries.) Henry’s focus at Morgenster is on red wine where he works with the classical Bordeaux grape varieties (Cabernet Sauvignon, Cabernet franc, Petit Verdot and Merlot) and Italian grape varieties (Sangiovese and Nebbiolo).

The first vines on the farm were planted in 1994 and the average age of the vineyards is 15 years. The grapes are usually harvested, depending on the fickle weather of course, late February. Average yield is 5.5 tonnes per hectare and juice yield is 700 litres per tonne.

Now, let’s get started with the winemaking section of this blog. This is what Henry had to say: “As the grapes are destemmed and crushed (about 10% is whole bunch pressed), I’ll add an Enartis red wine enzyme for colour extraction. Cold soaking is done for two to four days at less than 10°C. Only one pump-over a day is needed and this is done slowly and gently, to facilitate maximum extraction.” As he says this, he glances longingly at his mud encrusted mountain bike and then back to me. I realise that he’s probably very busy and has not been getting a lot of sleep (the plight of every winemaker!), so I hurry on with my questions. As for the Bordeaux varietals, Henry elaborated about two of his favourite yeasts: “I inoculate Anchor NT 202 and Anchor WE 372 (Oenobrands) at 15°C. NT 202 has always been a stalwart and works well with the wine style that we like to embrace at Morgenster. It is also easy controllable with temperature alterations.

As for WE 372, it is a slower fermenter which really enhances the varietal character of the grapes I am working with. WE 372 makes a particularly powerful contribution towards red berry and fruity aromas when I’m working with Merlot. For my Italian varietals, I use selected Lallemand yeasts. A typical fermentation is done at 26 to 28°C for seven to ten days. I also use a lot of oxygen during fermentations for maximum colour extraction. As an activator I use Laffort Dynastart and Anchor Nutrivin (Oenobrands) and DAP during fermentation.” Henry also formed part of a group of winemakers in South Africa who tried the new Anchor NT 202 Co-Inoculant MLF starter culture (Oenobrands) in 2011.

He says: “I tried the Co-inoculant on a batch Petit Verdot this vintage and was pleasantly surprised with the results, since MLF took only 14 days to complete after AF finished. This usually takes three to five weeks. I usually inoculate all my red wines with Lallemand bacteria, but intend to use the Co-inoculant again next year and in bigger amounts.” Henry explains post-AF as follows: “Extended maceration on skins can last a few days or up to two weeks. After MLF, the wine is racked and three rackings are done during 18 months of barrel ageing. Beta-glucanase (Enartis) is used during ageing.

Optimal filtering would be done with a 1.6 micron candle filter, but where VA is 0.6g/L or higher, I will use a 0.45 micron candle filter.” Henry has his wine bottled during December and January after which it is released three years later. As for the premium Morgenster wines, expect to pay US $69 and US $33 for the Lourensriver Valley range.

Bernard Mocke is a technical Consultant for Anchor Wine Yeast.


Word of the day: Délestage

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March 11, 2011  posted by Erika Szymanski

Délestage – (‘dehl-luh-STAJ’) aka “rack and return” (though the French sounds much more refined and romantic, as usual.) refers to the practice of repeatedly draining fermenting red wine off of its skins through a screen that traps some portion of the seeds, then returning the drained-off juice to continue fermenting on the skins, but minus the seeds entrapped in the draining process. Fewer seeds = lower seed-to-juice ratio = less extraction of seed tannins into juice = less tannic wine.

You know that it can’t really be that simple. There are two reasons why just describing the mechanics of the operation is inadequate. First, the “rack and return” process does more than just remove seeds. Like other methods of cap management*, the process also douses the floating grape skins. Unlike some other methods of cap management, délestage generally incorporates a lot of air into the must when the juice is pumped back over the skins.

Besides stimulating their growth, oxygen discourages fermentation yeasts from producing unsavory cooked cabbage and onion-like sulfides. Oxygen also has far-reaching and often poorly-understood effects on myriad elements of wine chemistry. Tannin polymerization, for example, is influenced by oxygen in complex ways that seem, in general, to lead to softer and rounder wines In fact, the role of oxygen in winemaking is so very complex that I’m going to refrain from saying any more about it here for fear of perjuring myself. In any case, the influence of délestage on a wine can’t just be attributed to removing seeds; oxygen must play a part, too.

The second reason why délestage is more complex than its mechanical description comes from our understanding – or, rather, our lack of understanding – of tannins themselves. We once separated tannins into the two broad categories of seed tannins and skin tannins. Seed tannins were bad: harsh, bitter, and green. Skin tannins were better: softer and malleable. In this context, délestage makes a lot of sense. Decreased exposure to bitter seeds during fermentation should reduce harsh, bitter flavors.

For better or for worse, tannin chemists, led by Dr. Jim Harbertson at WSU, have shattered this simplistic understanding. Tannins are polymers of flavon-3-ols. According to Harbertson’s work, longer tannins are usually perceived as more astringent, yet seed tannins are about a third of the length of skin tannins, averaging ten instead of thirty units. On the other hand, seed tannins take longer to extract than skin tannins; even though seed tannins outweigh skin tannins in magnitude, they release more slowly. To add yet another layer of complexity, the make-up of each tannin polymer influences its sensory characteristics in addition to its sheer length. And even then tannin experts haven’t yet deciphered what happens to tannins over time to make well-aged wine seem softer and less harsh than its youthful counterpart. For more on this topic without delving into the scientific literature, try this palatable Wines and Vines article.

The upshot of how to use délestage in the face of all of this complex chemistry? Taste, taste, taste. I’m no winemaker, but isn’t this self-evident? Superb winemakers have been making superb wine for centuries before anyone ever named or knew of a flavon-3-ol. Intuitively, it makes sense that removing seeds will reduce seed-y flavors. If that makes your wine taste better, go for it. As for oxygen, even if it remains the great unknown variable, scientific uncertainty doesn’t invalidate your taste buds.

*Cap management – grape skins are pushed, parachute-like, to the top of the must by CO2 bubbles created by the fermentation process, creating a “cap” of skins that can literally float above the surface of the must. Free from the protective effects of alcohol and acid and exposed to air, this cap will rapidly submit to spoilage microorganisms if not frequently reincorporated into the must. Hence, in making red wines, the “cap” must be “managed.”

Erika Szymanski is an independent contributor to this blog. She is in no way affiliated with the sponsoring company. This blog was originally posted on her blog: The Wine-o-scope.


Is it okay to use my normal settling enzyme for red wine maceration?

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February 3, 2010  posted by Karien O'Kennedy
This is a question I got from a winemaker a few days ago. Some people selling enzymes will say yes, that any pectinase preparation you use will be better than using nothing at all. I suppose that can be the case. However, here are a few facts to consider when choosing an enzyme for red colour/tannin extraction.
 
Colour and tannin are mostly situated in red grape skins. The pectin structure of grape skins is much more complicated than the simple structure of the pulp. When your aim is settling only, you work with the pulp of the grape. A simple pectin structure only requires the basic pectinase activities of pectin lyase, pectin methyl esterase and polygalacturonase. That is why settling enzymes are the most cost effective to produce and usually the cheapest of an enzyme supplier’s range of enzymes.
 
If skin contact is your aim, you need additional enzymatic activities to break down the highly branched, complex pectin structure of skins. So in addition to the basic pectinases, skin contact enzymes contain various “side” activities. The production organism – Aspergillus niger – produces much less of these side activities than the basic pectinases. That is why production of skin contact enzymes is more expensive and you, the end user, has to fork out more. It is a specialised enzyme for a specialised application. So basically skin contact enzymes contain all the components of a settling enzyme, usually in higher concentrations, as well as specific side activities that will work on the more complex pectin structure of skins.
 
So, common sense will tell you that an enzyme specifically recommended for skin contact will therefore be way more efficient in extracting colour and tannin than a normal settling enzyme. But wait…there is more….if you order now, you get this beautiful set of steak knives absolutely free!!! OK I digress; seriously there is one more factor to keep in mind.
 
Aspergillus niger also produces a group of enzymes called glycosidases during the commercial production of pectinases. It actually falls under the group of side activities formed. It does it automatically, with some strains producing more than other. Glycosidases remove sugar molecules from more complex structures. In grapes, certain potentially flavour active compounds are bound to sugar molecules. In this bound form they are not flavour active. When the sugars are removed, you can smell and taste these compounds. An example is monoterpenes found in most white grape varieties, especially Riesling and Muscats. They are also found in red grapes. However, red wine colour, anthocyanin, is stabilised by sugar molecules. So by removing the sugars from anthocyanins, glycosidases can destabilise them, making your red wine colour, unstable. So what is a positive in white is a negative in red. Red wine enzymes should preferably not contain any glycosidases, or, as they are more commonly known in this case – anthocyanases.
 
My advice to you would thus be: make sure that the enzyme preparation you plan to use for red must maceration contain negligible levels of anthocyanase. If your supplier cannot give you that assurance, then switch to a supplier that can give you that assurance. No point in being penny wise and pound foolish. There are ways enzyme companies can manipulate production of red skin contact enzymes to minimise this activity. They generally, however, do not try to limit this activity in white enzymes, such as settling enzymes, since it is a positive for white wine aroma.
 
Having given you the scientific facts, my personal answer to the above question would be: no, it is not OK to use your settling enzyme for red skin contact. However, if your supplier can guarantee you that the anthocyanase activity in their settling enzyme is negligible, then I suppose some pectinase activity is better than none.